By combining wave sequencing with vector synthesis-the process of mixing and morphing between house waveforms of audio samples-the Wavestation differed from other sample-based synthesizers of the digital era.Ī wave sequence is a programmed list of PCM waves playing in succession.
Moreover, a wave sequence can be programmed to "jump" to any PCM wave in ROM memory, whereas similar synths were designed to progress sequentially through the wavetable. Wave Sequencing reclassification the vector synthesis on Prophet VS, by incorporating the ability to crossfade up to 255 waveforms, rather than only four. The two primary synthesis concepts intentional into the Wavestation were wavetable-lookup synthesis, including the multiple-wavetable synthesizers realized as PPG Wave that was made by Palm Products GmbH in the early 80s, and the vector synthesis realized as Prophet VS by Sequential Circuits, Inc. The Wavestation lineup consisted of four models: the Wavestation and Wavestation EX keyboards, and the Wavestation A/D and Wavestation SR rackmount sound modules. Keyboard Magazine readers produced the Wavestation its "Hardware Innovation of the Year" award, and in 1995 Keyboard returned it as one of the "20 Instruments that Shook the World." The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such(a) as the Sequential Circuits Prophet VS.ĭesigned as a "pure" synthesizer rather than a music workstation, it lacked an on-board song sequencer, yet the Wavestation, unlike all synthesizer prior to its release, was capable of generating complex, lush timbres and rhythmic sequences that sounded like a generation up soundtrack by pressing only one key. Its primary innovation was Wave Sequencing, a method of multi-timbral sound race in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Korg Wavestation is the vector synthesis synthesizer number one produced in a early 1990s together with later re-released as a software synthesizer in 2004.
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